Notice: This is the official website of the All Empires History Community (Reg. 10 Feb 2002)

  FAQ FAQ  Forum Search   Register Register  Login Login

Architecture of the veil

 Post Reply Post Reply
Mila View Drop Down
Retired AE Moderator

Joined: 17-Sep-2005
Online Status: Offline
Posts: 4030
  Quote Mila Quote  Post ReplyReply Direct Link To This Post Topic: Architecture of the veil
    Posted: 01-Jan-2006 at 00:37
IslamiC ArchitecturE
A R C H I T E C T U R E  O F  T H E  V E I L

Islamic architecture is commonly called 'architecture of the veil' because Muslim architects usually placed more importance on the interior of a building than its exterior.

For example, the Kashan Bazaar in Iran:

Even in areas of the world where building supplies and realistic options were limited (by weather conditions, and so on), Muslim architects still managed to create masterpieces.

Often considered tacky by today's standards - in the time they were built these buildings would have dropped any jaw with their beauty and extravagance. Imagine anything like the King of Light Mosque in Shiraz, Iran, being built in ancient Rome, Greece, or Egypt - or even modern Western Europe and North America:

According to Wikipedia:

Common interpretations of Islamic architecture include the following:

  • The concept of Allah's infinite power is evoked by designs with repeating themes which suggest infinity.
  • Human and animal forms are rarely depicted in decorative art as Allah's work is matchless. Foliage is a frequent motif but typically stylized or simplified for the same reason.
  • Calligraphy is used to enhance the interior of a building by providing quotations from the Qur'an.
  • Islamic architecture has been called the "architecture of the veil" because the beauty lies in the inner spaces (courtyards and rooms) which are not visible from the outside (street view).
  • Use of impressive forms such as large domes, towering minarets, and large courtyards are intended to convey power.

A specifically Islamic architectural style developed soon after the Prophet Muhammad. From the beginning the style grew from Roman, Egyptian, Persian/Sassanid, and Byzantine styles. An early example may be identified as early as AD 691 with the completion of Qubbat al-Sakhrah (Dome of the Rock) in Jerusalem. It featured interior vaulted spaces, a circular dome, and the use of stylized repeating decorative patterns (arabesque).

The Great Mosque of Samarra in Iraq, completed in AD 847, combined the hypostyle architecture of rows of columns supporting a flat base above which a huge spiralling minaret was constructed.

Construction of the Great Mosque at Cordoba beginning in AD 785 marks the beginning of Islamic architecture in Spain and Northern Africa (see Moors). The mosque is noted for its striking interior arches. Moorish architecture reached its peak with the construction of the Alhambra, the magnificent palace/fortress of Granada, with its open and breezy interior spaces adorned in red, blue, and gold. The walls are decorated with stylize foliage motifs, Arabic inscriptions, and arabesque design work, with walls covered in glazed tiles.

Timurid architecture is the pinnacle of Islamic art in Central Asia. Spectacular and stately edifices erected by Timur and his successors in Samarkand and Herat helped to dessiminate influence of the Ilkhanid art in India, thus giving rise to the celebrated Moghol school of architecture. Timurid architecture started with the sanctuary of Ahmed Yasawi in present-day Kazakhstan and culminated in Tumir's mausoleum Gur-e Amir in Samarkand. Axial symmetry is characteristic of all major Timurid structures, notably the Shah-e Zendah in Samarkand and the mosque of Gowhar Shad in Meshed. The double domes of various shapes abound, and the outsides are perfused with brilliantly colored.

The architecture of the Ottoman Empire forms a distinctive whole, especially the great mosques by and in the style of Sinan, like the mid-16th century Suleiman Mosque. The 17th-century Sultan Ahmed Mosque shows the brilliant adaptation and development of the forms established at Hagia Sophia a millennium earlier.

Another distinctive sub-style is the architecture of the Mughal Empire in India in the 16th century. Blending Islamic and Hindu elements, the emperor Akbar constructed the royal city of Fatehpur Sikri, located 26 miles west of Agra, in the late 1500s.

The most famous example of Mughal architecture is the Taj Mahal, the "teardrop on eternity", completed in 1648 by the emperor Shah Jahan in memory of his wife Mumtaz Mahal who died while giving birth to their 14th child. The extensive use of precious and semiprecious stones as inlay and the vast quantity of white marble required nearly bankrupted the empire. The Taj Mahal is completely symmetric other than the sarcophagus of Shah Jahan which is placed off center in the crypt room below the main floor. This symmetry extended to the building of an entire mirror mosque in red sandstone to complement the Mecca-facing mosque place to the west of the main structure.

One of the first civilizations that Islam came into contact with during and after its birth was that of Persia. The eastern banks of the Tigris and Euphrates was where the capital of the Persian empire lay during the 7th century. Hence the proximity often led to Islamic architects of early Islam to borrow, but in fact inherit the traditions and ways of the fallen Persian empire.

Islamic architecture in fact borrowed heavily from Persian architecture. Baghdad, for example, was based on terroristic precedents such as Firouzabad in Persia. In fact, it is now known that the two designers were hired by al-Mansur to plan the city's design were Naubakht, a former Persian Zoroastrian, and Mashallah, a former Jew from Khorasan, Iran.

Back to Top
Paul View Drop Down
AE Immoderator

Joined: 21-Aug-2004
Location: Hyperborea
Online Status: Offline
Posts: 952
  Quote Paul Quote  Post ReplyReply Direct Link To This Post Posted: 01-Jan-2006 at 01:05
Originally posted by Mila

Islamic architecture is commonly called 'architecture of the veil' because Muslim architects usually placed more importance on the interior of a building than its exterior.
My experience of visiting Islamic architecture has been the exact opposite. Though admitedly most of the stuff I've seen is in the sub-continent and SE Asia, not the Balkans.
Light blue touch paper and stand well back
Back to Top
 Post Reply Post Reply

Forum Jump Forum Permissions View Drop Down

Bulletin Board Software by Web Wiz Forums® version 9.56a [Free Express Edition]
Copyright ©2001-2009 Web Wiz

This page was generated in 0.080 seconds.