I think Dumas uses his period very wel - it's a study in the events of France throught the 19th cent. The various intrigues, court politics, revolution and counterrevolution - but all skillfully related through the eyes of participants who were at best chance players - the small people who are affected by history but do not influence it. He has captured these characters and their knowledge of great events, each through the lense of their own self interest quite well. The book does not discuss The Hunderd Days, the exile of Napolean, or any of the other events except as they relate to the characters, a perspective I really enjoy. Too many authors lose their story and characters in trying to tell us everything about the events surrounding the story.
His ultimate theme could be argued (here we go). It is, of course, a clear discussion of the balance between good and evil. Evil not in the grand scheme of things, but evil perpetrated by jealousy (Fernand), greed (Danglars), self interest (Villefort) and in some cases simply denial and the failure to act (initially Caderousse, later on many family members of the bad guys who turn a blind eye to what the people they think they love are really doing and what they are really like). It would be easy to say that his focus is revenge but I think that redemption is perhaps another possibility. Several of the characters are given chances at edemption - admitting that they have wronged someone and making amends. Almost all fail to do so, and the results are disastrous for them. Even Edmond is seeking redemption - seeking a way to fulfill his promises to the Abbe that he willl not waste his life and his fortune on revenge alone, but do something good with it. His is a constant balance between his desire for revenge and his good works to try and balance his need for justice.
On a weird note - is there a strange sub text in the relationship between Eugenie and Louise - and does Andrea fit into that subtext quite well? In his first description of Eugenie (Robert le Diable) Dumas describes her face as "little in accordance with the gentler attributes of her sex" with an "almost masculine look" and her attainments "too erudite and masculine." Later in the book - (just prior to the Contract,) her direct and very atypical conversation with her father picks up this thread again. Her departure with Louise is the most telling - there are several lines that carry this about as far as could be done in Dumas' time.
"The door is locked." "They may tell us to open it." " ...but we will not." "You are a perfect Amazon, Eugenie!" ... " ... with a prompitude which indicated this was not the first time she amused herself by adopting the garb of the opposite sex, ... " after she cuts her hair "...and do you not think me handsomer so?" "Oh, You are beautiful - always beautiful!"
... "M. Danglars had lost a daughter."
In more ways than one, it seems.
Then they go off to spend the night in bed together - the only scene in the book where anyone actually shares a bed IIRC.
If the marriage had gone through, they might have been a good pair in any case. When Andrea shows up to sign the (never to be completed) wedding contract - he is accompanied by a "friend?" "Andrea, on whose arm hung one of the most consummate dandies of the opera..."
Hmmm In some ways - perhaps Dumas' work is a better reflection of the period than I ever noticed before.
------------- In the time of your life, live - so that in that wonderous time you shall not add to the misery and sorrow of the world, but shall smile to the infinite delight and mystery of it. (Saroyan)
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