Warning: This
post may go off on a seemingly unimportant tangent at any time, but
believe it or not, it's all relevant....
Tartan has become synonymous with
Scotland, yet the existence of tartan far predates the existence of
Scotland, Sumeria, Akkad or possibly any civilisation you care to
name. In this little piece I'll try to dispel a few myths, in doing
so I'll probably upset some of the other “kiltophiles” as most of
what they believe to be written in stone, isn't – it's written on
water. The biggest myth of all is that tartan was invented or
conceived in Scotland.
What is a tartan? The electronic fount
of all knowledge will tell you:-
Tartan is a pattern consisting of criss-crossed horizontal and
vertical bands in multiple colours. Tartans originated in woven wool,
but now they are made in many other materials. Tartan is particularly
associated with Scotland. Scottish kilts almost always have tartan
patterns. (Tartan is also known as plaid in North America, but in
Scotland, a plaid is a tartan cloth slung over the shoulder, or a
blanket.)
Tartan is made with alternating bands of coloured (pre-dyed)
threads woven as both warp and weft at right angles to each other.
The weft is woven in a simple twill, two over - two under the warp,
advancing one thread each pass. This forms visible diagonal lines
where different colours cross, which give the appearance of new
colours blended from the original ones. The resulting blocks of
colour repeat vertically and horizontally in a distinctive pattern of
squares and lines known as a sett. |
Using this definition, the Burberry
check is, believe it or not, in essence, a tartan.
There are fabrics found with the
mummies in the Turim Basin (also known as the Tocharian mummies)
which are, by the above definition, tartan (that's apart from the
bodies being, apparently, Caucasian). These are normally dated to
around 3,000 BCE. If anyone is interested in the Tocharians or the
history of tartan, I recommend Elizabeth W. Barber's "The
Mummies of Ürümchi" (ISBN 0-393-04521-8). Tartan,
being as it dates to at least 3,000 BCE isn't something we Scots can
be blamed for, nor can we claim any credit.
As I've said, tartan has become
synonymous with Scotland, yet it was banned by the Proscription and
Dress Acts after the last Jacobite Rising in1745. How did this
happen? Well, these were yet more of those stupidly pointless
knee-jerk reactions so characteristic of governments – even to this
day. In this instance they included a half-arsed attempt at genocide,
the destruction of the clan system (which did indeed need reform),
and the belated realisation of “If you can't beat them, use them”.
Pitt the Elder, in a speech to the
House of Lords in 1766, said:- “I have called to your service a
hardy race of men [yet] it is no great matter if they fall”. Which
indirectly led to the state of the world today. I base this claim
(state of the world today) on the established fact that the “British”
army wasn't much use until it got an infusion of regiments and
recruits from parts of “Britain” which preserved a militaristic
society (although I accept this will be seen by some as total
nonsense).
Before going on I'll deal with a few
very common misconceptions (they're common here in Scotland too).
Originally tartans (breacan an feile
or an clo mor in Gaelic) weren't associated with specific
families. The different setts (patterns) were due to the varying
amounts of plants available in the area where the dyes were
processed. There was also the fact that each and every weaver used
these dyes in different combinations – so there would be a variety
of designs produced in every township. In effect this meant that a
sett, with slight variations, was common in a certain district due to
the varying abundance or scarcity of of plant dyes.
No clans had specific tartans before a
certain date in the early 19th century. However, a
regiment of the British Army did. The 43rd Highland Regiment of Foot
(it became the 42nd Royal Highlanders in 1748) or the
Black Watch (Am Freiceadan Dubh ). This regiment evolved from
“watch” companies raised from loyalist clans after the '15 as a
sort of paramilitary police force. These “watch” companies were
uniformed in a tartan which is variously referred to as “Government”
or “Campbell”. Somewhat to my horror, this is the earliest known
sett which can be properly authenticated.
Incidentally there were no clans
outwith the Gaeltachd, so there were no tartans associated with
Douglas, Bruce, Armstrong, Johnston or Singh.
As I've said, there were no such things
as clan tartans. That doesn't actually matter as it's very difficult
to change what are, by now, ingrained preconceptions. Besides,
largely due to the almost obsessive love Queen Victorian had for the
Highlands, tartan has developed into an industry which rakes in huge
amounts of lovely money every year (yes please, keep it coming).
The modern kilt - the waist to knee
garment now associated with Scotland (which was NOT worn at the
Battle of Stirling Bridge – despite what you saw in Braveheart), is
commonly thought to be the creation of an Englishman, Thomas
Rawlinson, who owned and operated an iron foundry in Glenmoriston
around 1730.
There are problems with this
attribution as foundry workers would have been, to a degree,
protected by the sheer amount of cloth in the great kilt, if they
were being overcome by heat, it's most probable they would have
removed their kilts and worked in their shirts – the leinne (shirt)
worn with the great kilt was a garment which reached to the
mid-thigh. Surprisingly (or not), I disagree. I think it much more
likely to have been a cost-cutting exercise by an army bean-counter.
After all, one great kilt (Feile mor) could make two little kilts
(Feile beag) – thus equipping two soldiers for the price of one
(and probably increasing his pension fund at the same time).
Before a certain event in the early
19th century, no self-respecting, intelligent,
money-hungry Scot of the Lowland variety would have been seen dead in
either kilt or tartan. In addition, the clan chiefs, who had been
“primus inter pares” in their kinship groups, had been infected
with a need for money with which to maintain their extravagant and
Anglophile lifestyles. When the clan chiefs had been first among
equals, they were educated at the most prestigious universities in
Europe (Sorbonne, Padua, Bologna, Leiden, Heidelberg etc), in little
more than 15 years after the last Jacobite Rising, this changed
inasmuch as they began to favour Oxford and Cambridge for the
education of their sons.
They also became monolingual to all
intents and purposes, although, to be fair (which I don't really want
to be), in the Lowlands, the language (Scots) of the common people
was seen as degenerate. This was aggravated by the educational system
applying some “interesting” punishments on those who spoke Scots
(in class or out). In the Gaeltachd this wasn't as much of a problem
at first as virtually no-one spoke Scots.
What changed?
Prior to the event I'm leading up to,
neither tartan or kilt would have been acceptable wear in Lowland
Scotland (except when they were associated with the military).
However, in the run-up to this event, Highland regiments had been
busy kicking arse and taking names (and sometimes being kicked back)
wherever the British Empire was involved. In the Penisular /
Napoleonic wars they, and the Irish regiments had provided over half
of Wellingtons' British regiments (not to mention the Irishmen in
non-Irish regiments). The 2 / 73rd Highlanders were a case
in point. This nominally Highland formation was formed in 1809 from
local militia companies in the Nottingham area, many of the rank and
file of these companies were, at the time, English, but by the time
of Waterloo (where it fought a Quatre Bras and Waterloo) it was
mostly Irish. This formation, due to it's reluctance to wear the
kilt, gained the not entirely complimentary nickname of “The
Perthshire Greybreeks”. However this battalion didn't gain fame on
a battlefield but on a ship (HMS Birkenhead).
There was, in Europe at the time, a
sort of Celtic revival centred on Scotland. Napoleon for instance,
reputedly carried a copy of James Macpherson's “Ossian” on
campaign. This Celtic revival was centred on Highland Scotland (a bit
like the later Scandinavian revival in the northern USA –
Kensington Runestone anyone?)
Who was this man who re-invented tartan
and invented the modern conception of Scotland?
The man was Sir Walter Scott (and no,
there hadn't been a Scott tartan previously). Scott was a poet, a
playwright, a novelist and a lawyer. He was probably the first
mass-market author to gain fame in the English language – in many
ways he was the proto-typical Dan Brown.
The occasion in question was the visit,
in 1822, of King George IV (aka “Prinny”), a fat, womanising and
intellectually challenged member of the Royal Family of the United
Kingdom (not much change there – other than they've slimmed down a
bit - physically that is). {Aside: there are still something
approaching 5,000 legally acceptable claimants to this throne}. He is
most famous for his bigamous marriage to Caroline of Brunswick in
1795 (this marriage was bigamous as he had, in 1785, conducted a
morganatic marriage with Maria Fitzherbert). Needless to say, the
Establishment disapproved. However, even though Mrs Fitzherbert was a
widow, (she was also Catholic) and, what was worse, she was a
commoner, the marriage took place. Contrary to what the histories
tell us, he never divorced her (basically because getting a divorce
from a Catholic at that time involved the Pope...).
Lets look at the occasion now. The
visitation upon Scotland of this august personage was not just a
drop-in. The British government was happy as this removed him from
participation in the Congress of Verona, Scott and his cohorts were
happy as they were in the news, the clan chiefs were happy as it gave
them an occasion to “get in touch with their roots” to use a
modern phrase. Himself was actually here in Scotland for a whole two
weeks – this being the only time since the Coronation of Charles II
in 1651, that a “Scottish” monarch had actually been in Scotland.
Many of the cartoons of the time show him in a somewhat abbreviated
kilt, yet, according to newspaper reports, he only wore the kilt
once, This occasion was reported in the “Edinburgh Evening Courant”
where it was suggested that many of the ladies who were presented to
him were shocked at the display of his “meat and two veg”. This
doesn't accord with the other reports that he wore pink or
“flesh-coloured” stockings or tights (pantyhose) beneath the
kilt.
However, he wasn't really the focus of
this Royal Visit. He was the excuse Scott needed run an advertising
campaign – with Royal approval. At the time Scott's lifestyle was
far more extensive than his income. In essence this Royal Visit was a
publicity stunt and an advertisers wet dream. The Royal family got
favourable publicity in Scotland as no Royal had shown face there for
170 years, Scott got to exercise his imagination regarding “noble
savages” and legends – many of which he invented. Mind you, he
was a novelist.
The advertisers wet dream I referred to
is a by-product of the new demand for tartan clothing from those who
would be “attending” the King. They dressed themselves and their
retinues in fantastical costumes which had no basis in reality (it
shouldn't be forgotten that the Highland Clearances are still
on-going at this time). The merchants and shop-keepers of Edinburgh
(among them one Ebenezeer Scroggie, whom I have mentioned before)
made several very nice fortunes from the visit.
Although I've named Scott as the
instigator of the current vision of Scotland as a place of romantic
mist-covered mountains peopled by tartan-clad, noble, bare-arsed
savages (for varying values of each), and he was indeed the guilty
party. He could not have been guilty of what followed. Although he
came up with original concept, the Victorians took the idea and ran
with it. They invented even more fantastical costumes which included
a person wearing at least four different tartans at one time, they
also invented clans to go with the newly designed tartans.... (Scott
for example). The Borderers didn't have clans – they had Graynes or
Surnames. While they shared many of the same traits as clans they
were also very different – one aspect being that they could switch
between countries at will. Mind you, having stated that the Borderers
weren't clans, Parliament didn't agree with me, a 1597 Act stated
“"Chiftanis and chieffis of all clannis… duelland in the
hielands or bordouris". The use of the terms Graynes or Surnames
for the border families appears to be of 19th century
origin.
While Scott is most famous for the
Waverley novels he had an effect on Scotland which can't be
disregarded. He, almost single-handedly invented the modern concept
of the place in world culture. Now, myself being a Scot, I can't
assess what other peoples have taken from his writings, but in my
opinion (which I value) he propounded a society which never existed.
To me he seems to have conflated a romanticised version of the Border
legends with which he grew up, and an invented chivalric tradition
(which didn't exist) in the highlands. While ignoring the fact that
both the Borderers (especially the Reivers on both sides of the
border) lived short, hard and often brutal lives and the Highlanders
(other than the land-owners who had previously been chiefs) lived a
hand-to-mouth existence at the best of times.
This invented tradition comes through
in the “Lady of the Lake” where one passage (Canto 5) says:-
“Ill fared it then with Roderick
Dhu,
That on the field his targe he threw,
Whose brazen studs
and tough bull-hide
Had death so often dash'd aside; ”
That's nonsense. In a fight, nobody
ditches a weapon unless it's broken – and make no mistake, a shield
(even a broken one) is a weapon.
I'm not going to critique his poetry or
his novels, just his intentions. Scott was a Tory and a Unionist
(which isn't the same as a modern Conservative as much as they would
like it to be). He was also very interested in money.
Scott was born in the “Old Town” of
Edinburgh in 1771, the son of a lawyer. As a child he contracted a
disease which may have been the spinal variety of Poliomyelitis. In
any case he became lame and, in 1773, he was sent to his grandparents
home near Smailholm Tower, which had been the family home.
In 1779, he was entered into the Royal
High School of Edinburgh. He began a course of study in the classics
at the University of Edinburgh in 1783, aged 12 (this may look
strange to 21st century eyes), but he would have had to
study Latin, Greek, Rhetoric and Philosophy in addition to Law). In
1786 at the age of fifteen, he became apprenticed in his father's
firm to become a Writer to the Signet. For those not totally au fait
with the arcane terminology of Scots Law, a Writer to the Signet is a
solicitor (one who solicits) while an Advocate presents cases in
court (a somewhat basic definition, but broadly true until relatively
recently). In 1790 while acting as a lawyers clerk, he made his first
visit to the Highlands, where he supervised an eviction (while not
wishing to cast any aspersions, the Highland Clearances were,
technically, evictions).
In 1796, a James Ballantyne
founded a printing press in Kelso. Through Ballantyne, Scott was
able to publish his first works and his poetry then began to bring
him to public attention. The Lay of the Last Minstrel was
published in 1805 and made the “Wizard of the North” an
established author. Before the publication of the Lays, in
1799, Scott became the Sheriff-Depute of the County of Selkirk, a
post he held for most of the rest of his life. In 1806 he became a
Clerk of Session, as such, his duties involved reducing to written
form decisions orally pronounced from Bench, authenticating
registered deeds by signatures, and looking up law papers and
authorities. This brought in an additional £800.00 per annum on
top of his salary of £300.00 as Sheriff-Depute and was entirely
separate from his income from writing.
On Christmas Eve 1797, he married
Charlotte Carpenter, a ward of Lord Downshire (except he didn't. He
married Charlotte Charpentier, a ward of Lord Downshire).
In 1811 he bought the farm of
Clartyhole (most of you will be able to parse out this name) which,
at the time comprised 110 acres. For the next 12 years he kept on
buying land in the area, by 1823 he owned in the region of 1,000
acres (roughly 400 hectares). He had a house built for himself, it's
now known as Abbotsford House which was completed in 1824. The
contents of the house allegedly include Rob Roys' dirk and some
relics of Bonnie Prince Charlie (which I take leave to doubt). The
interiors however are a great example of late Georgian architecture.
Twice in his career as a writer, his
publishers went bust. In 1813 the publishing house of John
Ballantyne and Co which had published “The Lady of the Lake” in
1810 fell into difficulty. Unfortunately for Scott he held a half
interest in the enterprise. This company was bought over by Archibald
Constable and Co, on terms very favourable to the new owner, yet from
1816 to 1822, Scott was the sole owner of the Ballantyne press.
The second time his publisher went bust
was in 1826 when Archibald Constable and Co fell victim to the
relatively new concept of paying for an authors work before it was
produced (can anyone say advances?). This was exacerbated by
financial shenanigans in London in 1825. In 1825 the City of London
was swept by a wave of speculation. This soon gave way to panic
selling, tumbling prices, and a credit squeeze by the Bank of
England. At the height of speculation fever, J.O. Robinson of
Constable's English agents, Hurst, Robinson, & Co. spent over
£40,000 on hops in the hope of cornering the market (he didn't
– the market was glutted).
Anyways, after this second loss of a
publisher, Scott found himself in debt to the tune of £121,000.
when he died, in 1832, this had been reduced to £53,000 and the
debt was finally cleared in 1847 by the sale of his remaining
copyrights.